Then Michael Noone introduces us to Fernando de las Infantas, one of the most important yet least known musical exponents of Spain's Siglo de Oro. For the last few years Noone has researched and recorded music by de las Infantas, and this offering is the fruit of those labours.

The development of Spanish-Jewish music in medieval Spain undoubtedly led to one of Spain's greatest musical treasures and had a considerable influence on Western European music. This topic is admirably expanded by Jorge Rozemblum, who places it within the socio-political and religious contexts of the period.

Continuing our interest in dance and its music Jennifer Nevile penetrates the world of Renaissance dance at the courts of Italy, France, Germany and England.

And during the course of a lengthy interview with Yutha Tep René Jacobs, from the very pinnacle of his career, shares his personal views and news of future projects with us.

With the start of a new year we have decided to alter the appearance of our magazine slightly. Goldberg has consistently found favour with its readers primarily because of its content, its rigorous standards and its mission to present a rounded and enjoyable perspective on the fascinating world of early music to an ever-increasing audience of those keen on exploring our musical heritage.

In addition to the appeal of its contents Goldberg has also established its own visual style based on the quality of its art illustrations, photography, graphic design and excellent presentation. In the eight years since we started Goldberg we have succeeded in creating a product that now enjoys universal recognition in the field of classical music at large, and early music in particular. In keeping with this awareness of design we have introduced small changes that preserve and enhance the best features, and are confident that these will not go unnoticed by our readers. Enjoy!

Click here and read the contents of issue N. 38