Rameaus's lyrical harpsichord
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Rameaus's lyrical harpsichord
Early-music news from from France
Rameaus's lyrical harpsichord
15-11-2005
In the ironic words of Piron, “All of (Rameau’s) soul and mind were in his harpsichord; when he closed the instrument, there was no one at home”. It would be difficult to express better Rameau’s attachment to the instrument for which he wrote the largest part of his instrumental music.

It is paradoxical, however, that the quantity of his music for harpsichord is relatively small, although it was written over a period of forty years. Rameau, a ceaseless innovator, made use of all the expressive possibilities of the instrument, as well as using it as inspiration for his operas.

Rameau’s first compositions, a collection of ten pieces that also included a short table of ornaments, was written for the harpsichord and published in Paris in 1706.

The composer was twenty-three at the time, and had left Clermont-Ferrand, where he had been organist at the cathedral, for Paris, where he hoped to find employment as an organist and have the opportunity to hear Louis Marchand, a musician he greatly admired.

The Prélude which opens the collection is a direct homage to ..

Click here to read the complete essay.

Rameaus's lyrical harpsichord
La Leçon de musique. Jean-Honoré Fragonard
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