The presence of Don Quixote in music... beyond the centenary celebrations
Early music and baroque music festivals: United States, United Kingdom, France, Spain, Germany, Italy Labels de la musique ancienne et la musique baroque : France, Etats Unis, Royaume Uni, Espagne, Allemagne, Italie Early music and baroque music courses: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music competitions: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music luthiers: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music books and sheet music: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music associations: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music newsletters: United States, United Kingdom, France, Spain, Germany, Italy
español | français
Early music magazine, baroque music Early music and baroque music concerts schedule: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music news : United States, United Kingdom, France, Spain, Germany, Italy CDs and discography, early music, baroque music: Bach, Handel, Vivaldi, Scarlatti, Rameau, ... Early music and baroque music month cds: United States, United Kingdom, France, Spain, Germany, Italy
COMPOSERS
John Dowland
INTERVIEWS
Vincent Dumestre
10 CDs for a desert island: Katarina Livljanic
ESSAYS
The presence of Don Quixote in music... beyond the centenary celebrations
An essay on the birth of the orchestra : The Lyre of Orpheus
Metastasio
  53 - 52 - 51 - 50 - 49 - 48 - 47 - 46 - 45 - 44 - 43 - 42 - 41 - 40 - 39 - 38 - 37 - 36 - 35 - 34 - 33 - 32 - 31 - 30 - 29 - 28 - 27 - 26 - 25 - 24 - 23 - 22 - 21 - 20 - 19 - 18 - 17 - 16 - 15 - 14 - 13 - 12 - 11 - 10 - 09 - 08 - 07 - 06 - 05 - 04 - 03 - 02 - 01 -
COMPOSERS
The presence of Don Quixote in music... beyond the centenary celebrations
ESSAYS
THE PRESENCE OF DON QUIXOTE IN MUSIC... BEYOND THE CENTENARY CELEBRATIONS
The presence of Don Quixote in music... beyond the centenary celebrations
By Begoña Lolo. Translated by Jacqueline Minett
On 26 September 1604, Cervantes was granted a royal privilege to print the first part of his novel The Ingenious Knight Don Quixote of La Mancha; barely three months later, in January 1605, the work was published. The novel had checquered beginnings and few people believed it would be a success. Since none of the prominent poets of the day was willing to write the laudatory prologue and sonnets that were expected to accompany any work worth its salt, the author himself was obliged to pen the burlesque verses which appear in the introduction. We can gain a better understanding of the circumstances surrounding the publication of what we now regard as one of the great masterpieces of world literature from the opinion of the Spanish playwright Lope de Vega, who wrote the following in a letter dated 14 August 1604:

“The least said about our poets, the better; in this respect, the new century can hardly be described as auspicious. Of all the budding poets, there is none so bad as Cervantes, nor any so foolish as to praise his Don Quixote.”

Discography
Goldberg Articles
Order your copy of issue nº 37 now!
The presence of Don Quixote in music... beyond the centenary celebrations: Next
Early music and baroque music notice board: United States, United Kingdom, France, Spain, Germany, Italy Ensembles, soloists, conductors, early music, baroque music:  United States, United Kingdom, France, Spain, Germany, Italy Early-Music Composers
ABOUT US | CONTRIBUTE   web map - home page - cover
Top
Legal warning Copyright 2003, Goldberg. info@goldberg-magazine.com