JOHANN SEBASTIAN BACH/ Nigel North/
Early music and baroque music festivals: United States, United Kingdom, France, Spain, Germany, Italy Labels de la musique ancienne et la musique baroque : France, Etats Unis, Royaume Uni, Espagne, Allemagne, Italie Early music and baroque music courses: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music competitions: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music luthiers: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music books and sheet music: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music associations: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music newsletters: United States, United Kingdom, France, Spain, Germany, Italy
español | français
Early music magazine, baroque music Early music and baroque music concerts schedule: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music news : United States, United Kingdom, France, Spain, Germany, Italy CDs and discography, early music, baroque music: Bach, Handel, Vivaldi, Scarlatti, Rameau, ... Early music and baroque music month cds: United States, United Kingdom, France, Spain, Germany, Italy
Medieval
Renaissance
Baroque
Clasicism
Opera

 5 STARS
Bach on the Lute
BACH ON THE LUTE
Bach on the Lute


JOHANN SEBASTIAN BACH
4 CDs

Nigel North

Linn Records CKD 300
1996 - 271:28 min.


This 4-CD boxed set contains some of the best lute interpretations of Bach’s music currently on the market. Considering that this repertoire has reached a notable popularity among the world’s best known lute players (who are recording it in increasing numbers), such praise is not a small compliment. As Bach had only written or arranged a few pieces for lute/Lautenwerk, North has made some excellent transcriptions of Bach’s other works, namely the Sonatas and Partitas for solo violin (BWV 1001-1006) and the Suites for solo cello (BWV 1007-1012). He re-voiced original chords, created bass lines, and transposed certain pieces to fit the lute; the result is music that comes across as natural and idiomatic. The sound on all four discs is very intimate, but there is a notable difference in the resonance and tone color between the first and last two CDs of the set. It was interesting to read that the first two recordings were played at pitch A415, while the third and fourth (recorded on the same instrument and in the same venue) at A392; the lower pitch simply made the instrument sound better. The performances themselves are truly exceptional. North strikes an effective balance between cool elegance and fervent emotion, and his energy and momentum are constant throughout. North’s technique is flawless and his sense of voicing early 18th-century music is right on the mark (unlike many other recordings of this repertoire). Highly recommended! ŽAK OZMO
Early music and baroque music notice board: United States, United Kingdom, France, Spain, Germany, Italy Ensembles, soloists, conductors, early music, baroque music:  United States, United Kingdom, France, Spain, Germany, Italy Early-Music Composers
ABOUT US | CONTRIBUTE   web map - home page - cover
Top
Legal warning Copyright 2003, Goldberg. info@goldberg-magazine.com